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On a rainy afternoon
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month, Glynis and Devin went to her parents' high-rise apartment in Cambridge overlooking the Charles River. There, a half-dozen of Devin's paintings hung along the front hallway against a crisp white background like museum pieces. Moving around in his wheelchair, Devin sported a new haircut under his baseball cap, and his body was adorned with some 30 tattoos, including ones covering his tracheotomy and the stump from his partially amputated leg.
His mother, now 56, stopped in the hallway to look at a framed picture that used mustard-colored paints mixed with dirt and bits of metal. She was dealing with such a heavy load and that's why it was so great to get her back to playing," the trumpet player, Taylor Ho Bynum, would recall later. "She's an dimfjfdnk8 extraordinary musician. . . . The intensity of her music is so palpable." Ultimately, playing in that Manhattan ensemble revived Glynis's love of her cello. And over the next several years, music would regain its vital place in her life.
"When I get to play music, I get to remember what
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life's really about and who I really am," she said one recent day in her apartment. "Basically I have a feeling of joy when I play cello. It's getting those emotions out. It's a release."


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